[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"sector-film-series":3,"globals":186,"navigation":199},{"id":4,"status":5,"sort":6,"user_created":7,"date_created":8,"user_updated":9,"date_updated":10,"title":11,"slug":12,"theme":13,"seo":14,"blocks":22},2,"published",null,"7c38a498-bd72-4fcd-afed-e45bcac3a16d","2026-04-13T09:12:42.970Z","dbe93a69-3db5-41ae-910d-940d02c562d8","2026-06-12T14:38:04.397Z","Film & Series","film-series","black",{"title":15,"meta_description":16,"og_image":17,"sitemap":18,"no_index":21,"no_follow":21},"The Mill | Film & Series | VFX and Production","The Mill delivers world-class VFX and production craft for film & series. Partnering with the greatest directors and studios from concept to final delivery.","0a25d660-0288-4ce3-af02-9696259ded99.jpg",{"change_frequency":19,"priority":20},"hourly","1.0",false,[23,35,42,48,156],{"id":24,"sectors_id":4,"collection":25,"sort":26,"item":27},16,"block__hero",1,{"id":28,"status":5,"sort":6,"title":6,"description":6,"items":29,"media":30},"77ce5511-3bef-4952-8cd4-c9985e70c1f7",[],{"id":31,"type":32,"width":6,"height":6,"filename_download":33,"modified_on":34},"cfa436e7-b76b-4847-8f86-7eaaf8835868","video\u002Fmp4","demoreel 2026 the mill film & series_website.mp4","2026-06-10T00:08:59.677Z",{"id":36,"sectors_id":4,"collection":37,"sort":38,"item":39},7,"block__text",3,{"id":40,"status":5,"sort":6,"content":41},"069ded98-8824-4377-a3de-9f962b02e9f7","\u003Ch1>We create the images that define cinematic storytelling. \u003C\u002Fh1>",{"id":43,"sectors_id":4,"collection":37,"sort":44,"item":45},8,4,{"id":46,"status":5,"sort":6,"content":47},"dcb5f8dd-537d-47e4-b2ff-97889802ac9c","\u003Ch2>From early creative development through to final delivery, we work alongside the world's greatest directors, studios and producers.\u003C\u002Fh2>",{"id":49,"sectors_id":4,"collection":50,"sort":51,"item":52},14,"block__work_grid",5,{"id":53,"status":5,"sort":6,"title":54,"items":55},"a2d03dab-6f34-41ea-b673-d7430a81b94d","Films & Series Featured Work",[56,67,77,87,95,105,116,126,136,146],{"sort":26,"work_id":57},{"id":58,"title":59,"slug":60,"description":61,"featured_image":62,"hover_video":63,"client":6,"category":64,"sector":66},"8c5d92d4-590f-4125-b874-1a8e88df4d65","The Great Arch","linconnu-de-la-grande-arche","\u003Cp>Produced by \u003Cstrong>Agat Films – Ex Nihilo\u003C\u002Fstrong>, \u003Cem>The Great Arch\u003C\u002Fem> - \u003Cem>L’Inconnu de la Grande Arche\u003C\u002Fem> is a powerful film that blends political storytelling with an intimate human journey. To bring this little-known chapter of history to life, more than 100 VFX shots were crafted by the Film & Series teams at The Mill \u003Cem>(formerly MPC Paris)\u003C\u002Fem>, under the supervision of Lise Fischer.\u003C\u002Fp>\n\u003Cp>The entire image post-production was also completed in-house at TransPerfect Media in Paris. A bold project, driven by a commitment to historical accuracy and visual integrity.\u003C\u002Fp>\n\u003Ch3>\u003Cem>\u003Cstrong>\"This film isn’t about fantasy – it’s about history. And making history feel real on screen can be more demanding than inventing it.”\u003C\u002Fstrong>\u003C\u002Fem>\u003C\u002Fh3>\n\u003Cp>\u003Ccite>Lise Fischer – VFX Supervisor\u003C\u002Fcite>\u003C\u002Fp>\n\u003Cp>To remain faithful to historical reality while respecting the filmmaker’s vision and production constraints, the decision was made to use archival footage as the primary material for all wide shots establishing key sequences. The team combined advanced digital techniques — CGI environments, matte painting and compositing — with meticulous documentary research based on historical archives.\u003C\u002Fp>\n\u003Ch3>Between archives and digital creation\u003C\u002Fh3>\n\u003Cp>Among the standout sequences are the foundations of the Arche with the iconic concrete “elephant feet,” the rise of the honeycomb-like walls, and the 100-metre-high footbridge that enabled the architectural feat of building the roof.\u003C\u002Fp>\n\u003Cp>Sequences at the Louvre — where Ieoh Ming Pei’s pyramid returns to its earliest stages of construction — and on the Champs-Élysées further anchor the story in its era. To ensure visual continuity between archival material and digital reconstruction, The Mill developed a custom pipeline that combined upscaling and restoration of the original footage with the creation of 2.5D and full-CGI environments, adding movement and life across the various stages of the builds.\u003C\u002Fp>\n\u003Cp>The process also involved precise matte painting and advanced compositing to seamlessly insert studio or green-screen performances into period imagery. Additional 3D simulations and animations were created for key elements such as cranes, machinery, vehicles and pedestrian activity.\u003C\u002Fp>\n\u003Cp>This rare and exciting approach — transforming archival photographs into animated shots for a fictional narrative — allowed the team to explore new methods. The result strikes a balance between documentary authenticity and artistic creation, restoring the scale and visual identity of major construction projects of the 1980s. This hybrid workflow, combining documentary rigor with digital artistry, embodies our philosophy: using technology in service of the filmmaker’s vision.\u003C\u002Fp>\n\u003Ch3>Picture post-production and colour grading\u003C\u002Fh3>\n\u003Cp>The image post-production was overseen by Thomas Jodeau, alongside Agat Films’ post-producers Pierre Huot and Mehdi Sellami. TransPerfect Media handled rush management, conforming and part of the final deliverables. Colour grading took place remotely: colourist Yov Moor worked from Japan, with a live projector feed for director Stéphane Demoustier and cinematographer David Chambille.\u003C\u002Fp>","58aef6f9-d877-460f-8ed8-0334c21d9147","b7bb9a72-58d9-429f-a3f0-55206eb6c7a3",[65],"VFX",{"id":4,"title":11,"slug":12},{"sort":4,"work_id":68},{"id":69,"title":70,"slug":71,"description":72,"featured_image":73,"hover_video":74,"client":6,"category":75,"sector":76},"93cc71fb-2cb5-4761-99bf-07f858a5202f","Troll 2","troll-2","\u003Ch3>When a dangerous new troll is awakened, unleashing devastation across Norway, beloved adventurers Nora (Ine Marie Wilmann), Andreas (Kim Falck), and Captain Kris (Mads Sjøgård Pettersen) are thrust into their most perilous mission yet.\u003C\u002Fh3>\n\u003Cp>Our team delivered \u003Cstrong>63 VFX shots\u003C\u002Fstrong>, driven by 90 MPC contributors. The work featured a fully CG Troll with complex animation, CFX and lighting, alongside CG helicopters and large-scale explosion, snow, storm, and crowd simulations. To enhance the film’s photorealism and scale, our artists also created detailed 3D environments that brought the world of Troll 2 to life and supported the director’s creative vision.\u003C\u002Fp>\n\u003Cp>Our team also crafted key elements across the sequence, including helicopters at various stages of damage, digital doubles, detailed environments, atmospheric effects and the intricate one-shot featuring the Preppy Boy extraction\u003Cem> (the party kid the troll grabs)\u003C\u002Fem>. The team rebuilt the ski station and the Stavkroa setting, reimagined the after-ski nightclub for the story and added crowds to bring scale and life to the opening moments and escape. Throughout the sequence, environments, animation and effects demanded precise coordination, from adapting drone-shot plates into full environments to shaping snow, debris and destruction that supported the tone of the film.\u003C\u002Fp>","2b4542fd-b37f-4a42-804e-ad55ea29c96a","8eff4f4c-f375-4581-87db-cbc6c8ea719b",[65],{"id":4,"title":11,"slug":12},{"sort":38,"work_id":78},{"id":79,"title":80,"slug":81,"description":82,"featured_image":83,"hover_video":84,"client":6,"category":85,"sector":86},"c0955648-aaae-4803-9d53-bdc4cacb5b46","Cold Storage","cold-storage","\u003Ch3>\u003Cstrong>When a mutating, highly contagious fungus escapes a sealed facility, two young employees - joined by a grizzled bioterror operative - must survive the wildest night shift ever to save humanity from extinction.\u003C\u002Fstrong>\u003C\u002Fh3>\n\u003Ch3>\u003Cstrong>A Large-Scale International Collaboration\u003C\u002Fstrong>\u003C\u002Fh3>\n\u003Cp>COLD STORAGE brought together 431 artists to deliver 541 VFX shots over an 18-month production period, driven by MPC\u002FTHE MILL teams worldwide. The technical scope was extensive, ranging from set extensions and fully CG environments to creatures, macroscopic sequences, explosions and large-scale destruction, alongside highly detailed digital enhancement of SFX makeup. This diversity engaged every department within the studio and led to the creation of numerous bespoke assets and tailor-made technical solutions.\u003C\u002Fp>\n\u003Ch3>\u003Cstrong>\u003Cem>“Cold Storage was a true challenge, as it required us to cover the entire VFX spectrum, from invisible clean-ups to the complete destruction of environments, including creatures and digital set extensions,”\u003C\u002Fem>\u003C\u002Fstrong>\u003C\u002Fh3>\n\u003Cp>Nikolas D’Andrade, Co-VFX Supervisor.\u003C\u002Fp>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fthemill-cms.onrender.com\u002Fassets\u002F7a1c9746-84ff-4831-a167-a47ad1780c95.jpg?width=5000&height=3327\" alt=\"Cold Storage First Official Still\">\u003C\u002Fp>\n\u003Cp>VFX supervision was led jointly by Bastien Chauvet and Nikolas D’Andrade, supported by a production team headed by Cyprien Andronikof, Fanny Bilani and \u003Ca href=\"https:\u002F\u002Fwww.mpcvfx.com\u002Fen\u002Fnews\u002Fspotlight-on-alice-neichols-vfx-producer\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Alice Neichols\u003C\u002Fa>.\u003C\u002Fp>\n\u003Ch3>\u003Cstrong>The Fungus: A Character in Its Own Right\u003C\u002Fstrong>\u003C\u002Fh3>\n\u003Cp>At the heart of the story, the “Fungus” stands as the film’s central visual element. Conceived as a true character, it required extensive organic research to feel both credible and threatening, without ever adopting identifiable features. The identity of this menace relies on highly precise work on textures, color and animation, ensuring clear visual readability at both microscopic scale and during large-scale contamination sequences.\u003C\u002Fp>\n\u003Cp>The identity of this threat is conveyed through precise work on textures, color and animation, ensuring clear visual readability at every scale, from microscopic detail to large-scale contamination sequences.\u003C\u002Fp>\n\u003Ch3>\u003Cstrong>\u003Cem>“The Fungus is the real star of the film. Everything relied on animation and visuals to give it a distinct personality, without ever becoming too over-the-top”\u003C\u002Fem>\u003C\u002Fstrong>\u003C\u002Fh3>\n\u003Cp>Bastien Chauvet, Co-VFX Supervisor\u003C\u002Fp>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fthemill-cms.onrender.com\u002Fassets\u002F0cb79b4a-c0d8-4ff6-a3f8-1ad8567db92e.png?width=4535&height=2551\" alt=\"Mr Scroggins   (c) Studiocanal Sas\">\u003C\u002Fp>\n\u003Ch3>\u003Cstrong>Global Expertise: From Lab to Final Delivery\u003C\u002Fstrong>\u003C\u002Fh3>\n\u003Cp>Beyond visual effects, MPC Paris handled the full image post-production, overseeing a substantial volume of conforms and multiple grading sessions through to final theatrical and video deliveries, including Dolby Vision masters.\u003C\u002Fp>\n\u003Cp>By offering an integrated Lab and VFX workflow, MPC Paris streamlined exchanges between editorial and color management, ensuring visual consistency and an efficient pipeline for all creative teams.\u003C\u002Fp>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fthemill-cms.onrender.com\u002Fassets\u002F210c78bf-84c0-4ba1-b51d-eaee71700712.jpg?width=1920&height=1080\" alt=\"Cold Storage.jpg\">\u003C\u002Fp>\n\u003Cp>Throughout production, the collaboration with STUDIOCANAL and the entire creative team was built on a foundation of trust and constant communication. \u003C\u002Fp>\n\u003Cp>MPC would like to warmly thank STUDIOCANAL, Gavin Polone (Pariah), and David Koepp for their confidence, as well as all the artistic and technical teams whose talent brought this ambitious project to life.\u003C\u002Fp>","7a1c9746-84ff-4831-a167-a47ad1780c95","7c47d53e-5de9-4ade-a314-e95b1e8356ca",[65],{"id":4,"title":11,"slug":12},{"sort":44,"work_id":88},{"id":89,"title":90,"slug":91,"description":6,"featured_image":92,"hover_video":93,"client":6,"category":6,"sector":94},"85267897-9ff5-433a-aa06-f2bfbac3eae8","Emilia Pérez","emilia-perez","2a525ad1-9575-4aa7-b1e1-a2bc5bbf7310","e2cabea3-f6a7-47fb-aad8-eb9822626bb9",{"id":4,"title":11,"slug":12},{"sort":51,"work_id":96},{"id":97,"title":98,"slug":99,"description":100,"featured_image":101,"hover_video":102,"client":6,"category":103,"sector":104},"5b87d56b-3ae9-4d18-be1a-d7cd29c168c6","Colours of Time","la-venue-de-lavenir","\u003Cp>For this new feature film, \u003Cstrong>Cédric Klapisch\u003C\u002Fstrong> explores two very different time periods: the late 19th century and modern-day Paris. This visual and narrative journey was made possible thanks to the work of \u003Cstrong>Alexis Kavyrchine\u003C\u002Fstrong>, the director of photography, \u003Cstrong>Cédric Fayolle\u003C\u002Fstrong>, the VFX supervisor, and the expert teams at \u003Cstrong>MPC Paris\u003C\u002Fstrong>, marking their sixth collaboration with the director.\u003C\u002Fp>\n\u003Cp>To bring 1895 Paris to life, \u003Ca class=\"\" href=\"https:\u002F\u002Fwww.afcinema.com\u002FAlexis-Kavyrchine-parle-de-sa-facon-d-aborder-les-differentes-epoques-de-La-Venue-de-l-avenir-de-Cedric-Klapisch.html\">Alexis Kavyrchine drew inspiration from autochromes\u003C\u002Fa>, impressionist paintings (Monet, Morisot, Sisley…), and natural light. This soft, painterly visual style guided the entire image production process, from VFX to color grading.\u003C\u002Fp>","2f800c1d-6a1e-43cd-bb89-776d2c3c07e0","ae6b6e24-06d8-42ae-a289-6f8735e5acc4",[65],{"id":4,"title":11,"slug":12},{"sort":106,"work_id":107},6,{"id":108,"title":109,"slug":110,"description":111,"featured_image":112,"hover_video":113,"client":6,"category":114,"sector":115},"cab40fc6-25a8-46b9-8bb1-f4feec2506c9","Under Paris","under-paris","\u003Cp>Sophia, a brilliant scientist comes to know that a large shark is swimming deep in the river.\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.mpcvfx.com\u002Fen\u002Fnews\u002Fspotlight-on-arnaud-fouquet-vfx-supervisor\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Arnaud Fouquet\u003C\u002Fa>, VFX Supervisor at MPC Paris, served as Overall VFX Supervisor on the Netflix film \u003Cem>Under Paris\u003C\u002Fem>, directed by Xavier Gens. The film features 677 VFX shots, delivered through a collaboration between MPC Paris and Liège, Digital District, and UFX.\u003C\u002Fp>\n\u003Cp>Arnaud Fouquet and Loriane Lucas, VFX Producer at MPC Paris and Liège, oversaw the production of 288 shots. This work includes fully CG sequences supervised by Florian Wolff and Ryan Bardoul.\u003C\u002Fp>","c3d6877a-9004-4355-88a0-7b86cfaf36f2","5f36514a-b86e-4bb8-a9a7-088adc1f845a",[65],{"id":4,"title":11,"slug":12},{"sort":36,"work_id":117},{"id":118,"title":119,"slug":120,"description":121,"featured_image":122,"hover_video":123,"client":6,"category":124,"sector":125},"5309505f-dc74-4ca7-adf1-8dfde64b5cff","Animal Kingdom","animal-kingdom","\u003Cp class=\"isSelectedEnd\">Working under the supervision of Cyrille Bonjean, alongside VFX Producer Loriane Lucas and CG Supervisor Boris Kaufmann, MPC Paris delivered more than 150 visual effects shots over a production period of approximately ten months. More than 100 artists and technicians were involved throughout the project, collaborating closely with director Thomas Cailley, the production team and practical effects specialists to ensure a unified creative vision.\u003C\u002Fp>\n\u003Cp class=\"isSelectedEnd\">One of the key challenges was the creation of characters that felt neither fully human nor fully animal. Rather than relying solely on digital effects, the production embraced a hybrid methodology that combined prosthetics, makeup effects and CG enhancements. This approach helped preserve the performances of the actors while adding subtle or extensive transformations depending on the needs of each scene.\u003C\u002Fp>\n\u003Cp class=\"isSelectedEnd\">Among the creatures developed by MPC Paris was Fix, the bird-man character portrayed by Tom Mercier. The team designed and animated his digital wings, created a complete digital double for flight sequences and carefully integrated CG elements with practical effects used on set. The result was a character capable of moving naturally between physical and digital techniques without revealing the boundaries between them.\u003C\u002Fp>\n\u003Cp class=\"isSelectedEnd\">\u003Cimg src=\"https:\u002F\u002Fthemill-cms.onrender.com\u002Fassets\u002F3d5de41e-483d-4daf-8448-ec57c2d6c3d3.jpg?width=1920&height=804\" alt=\"Le Regne Animal Fix\">\u003C\u002Fp>\n\u003Cp class=\"isSelectedEnd\">The studio also developed the fully digital double of \"Grenouille\", a young chameleon-like girl. Creating this character required complex creature work, including animation, look development and integration into natural environments, allowing the audience to believe she could effortlessly move and camouflage herself within the forest.\u003C\u002Fp>\n\u003Cp class=\"isSelectedEnd\">For Émile, whose mutation evolves throughout the story, the visual effects work focused on extending and enhancing the practical makeup and prosthetics created during production. Digital interventions remained deliberately invisible, supporting the transformation while preserving the emotional connection between the audience and the character.\u003C\u002Fp>\n\u003Cp class=\"isSelectedEnd\">A major creative objective throughout the project was realism. The visual effects were never intended to overshadow the narrative but rather to support it. Every creature was treated as a character first, with design and technical decisions driven by storytelling needs. By combining practical effects and digital artistry, the team helped create a world where extraordinary mutations felt tangible and emotionally credible.\u003C\u002Fp>\n\u003Cp class=\"isSelectedEnd\">The Animal Kingdom premiered as the opening film of the Un Certain Regard selection at the Cannes Film Festival in 2023 and quickly established itself as one of the most ambitious French productions of the year. Its visual effects work was recognised with the César Award for Best Visual Effects, awarded to Cyrille Bonjean, Bruno Sommier and Jean-Louis Autret, highlighting the collaborative achievement of the many artists, technicians and filmmakers involved in bringing this unique vision to the screen.\u003C\u002Fp>\n\u003Cp>Today, the project remains a powerful example of how creature work can serve storytelling, demonstrating the creative and technical expertise that continues within The Mill's Film & Series teams.\u003C\u002Fp>","7c0f6f92-6962-402a-8e71-0231d87d32cf","09853d60-15b5-4928-ae6a-b3123622be24",[65],{"id":4,"title":11,"slug":12},{"sort":43,"work_id":127},{"id":128,"title":129,"slug":130,"description":6,"featured_image":131,"hover_video":132,"client":133,"category":134,"sector":135},"56781054-572e-4641-a9cb-a4d8fde9b614","The Walking Dead: Daryl Dixon S1","the-walking-dead-daryl-dixon-s1","32578c2a-64ea-4802-b327-062e2ace425f","536f2a75-9288-473f-9acb-3794931dd529","season 1",[65],{"id":4,"title":11,"slug":12},{"sort":137,"work_id":138},9,{"id":139,"title":140,"slug":141,"description":6,"featured_image":142,"hover_video":143,"client":6,"category":144,"sector":145},"edad0461-5ae7-4ef4-aef6-ee7986e12bdc","The Nun II","the-nun-2","6b1593aa-8541-42fe-a36f-5361e3681e15","87b0c8e5-2af2-409f-a6d4-219a8c036ad7",[65],{"id":4,"title":11,"slug":12},{"sort":147,"work_id":148},10,{"id":149,"title":150,"slug":151,"description":6,"featured_image":152,"hover_video":153,"client":6,"category":154,"sector":155},"a2c77ddf-7e43-423a-965e-9eb81789d441","The Last Duel","the-last-duel","b45274b7-d5db-4a3c-bc79-b67460e66913","e5313e3a-7405-4c1e-a8c6-f12aff3b0d47",[65],{"id":4,"title":11,"slug":12},{"id":147,"sectors_id":4,"collection":157,"sort":106,"item":158},"block__accordion",{"id":159,"title":160,"summary_visible_lines":26,"items":161},"df949c78-1468-48b1-b6d1-49bd3e8c528e","Our Services",[162,166,171,176,181],{"id":163,"sort":26,"title":164,"summary":165,"content":6,"accordion_id":159},"365811b5-8bdc-479d-b678-163b4af8fdb6","Pre-Production","Our VFX Supervisors join the conversation from the very first prep meetings, working alongside key departments to anticipate challenges, align creative and technical needs, and set every shoot up for success from day one.",{"id":167,"sort":4,"title":168,"summary":169,"content":170,"accordion_id":159},"a2b74d71-48bb-419f-8f13-8a76b86c359e","On-set Supervision","On-set supervision is the link between production and post-production, making sure everything captured on set is ready for seamless VFX integration later. \n\nWorking closely with the director and crew, the on-set supervisor gathers the right references, manages camera and lighting data, and anticipates what will be needed to support digital environments, characters, and effects.\n\nIt is a mix of creative collaboration and technical foresight, helping protect the intent of the shoot while setting up the cleanest possible foundation for post.","\u003Cp>\u003Cimg src=\"https:\u002F\u002Fthemill-cms.onrender.com\u002Fassets\u002Fe32d24c9-1ef3-459b-9143-20bd4fc65c3f.gif?width=1920&height=1080\" alt=\"On set\">\u003C\u002Fp>",{"id":172,"sort":38,"title":173,"summary":174,"content":175,"accordion_id":159},"e8b6f384-6e13-4f66-a05e-40380f689c3f","Creative & Design","We shape ideas into images from the earliest stages, from previs and concept art to character and asset development, building visual proposals and entire worlds that guide the creative direction well before, and alongside, the shoot.","\u003Cp>\u003Cimg src=\"https:\u002F\u002Fthemill-cms.onrender.com\u002Fassets\u002Ff7dbcfaa-6157-4fd7-8233-94a1345f826b.gif?width=1280&height=720\" alt=\"Concept\">\u003C\u002Fp>",{"id":177,"sort":44,"title":178,"summary":179,"content":180,"accordion_id":159},"ec84d8c0-24af-4d80-9993-00752db7b082","Visual Effects","From invisible clean-up work to large-scale visual storytelling, we seamlessly blend live-action and digital elements into cinematic final images, constantly refining and iterating in close alignment with the director’s vision. Within this same scope, we design and craft digital characters, environments, and FX simulations and animation that bring scale, movement, and emotion to the screen. From fur and air motion to muscle micro-movements and subtle facial expressions, we pursue a level of realism and precision that serves the narrative intent, continuously refining every detail through an iterative process that ensures consistency, believability, and creative coherence across the entire image.","\u003Cp>\u003Cimg src=\"https:\u002F\u002Fthemill-cms.onrender.com\u002Fassets\u002F382b8700-99c1-48ba-91bc-76e81dd733a1.gif?width=800&height=450\" alt=\"Emilia Perez Vfx Paris the Mill Mpc\">\u003C\u002Fp>",{"id":182,"sort":51,"title":183,"summary":184,"content":185,"accordion_id":159},"17bec1e6-e695-41ee-b0fe-6a793a7970db","Research & Development","We build custom tools, workflows, and innovative solutions that push creative possibilities further and make complex productions smarter. By tailoring techniques and technologies to each project’s needs, we find the right balance between ambition, efficiency, and execution, so great ideas can be achieved in the most effective way.","\u003Cp>\u003Cimg src=\"https:\u002F\u002Fthemill-cms.onrender.com\u002Fassets\u002F2648d35f-30a9-488a-971a-8f153901d81a.gif?width=1280&height=720\" alt=\"Meshroom\">\u003C\u002Fp>",{"footer_headline":187,"footer_cta_label":188,"footer_cta_url":189,"social_linkedin":190,"social_x":191,"social_facebook":192,"social_instagram":193,"social_youtube":194,"gtm_id":195,"ga4_id":196,"cookie_yes_id":197,"default_og_image":198},"Your next project starts here. 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