[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"work-la-venue-de-lavenir":3,"globals":67,"navigation":80},{"id":4,"status":5,"title":6,"slug":7,"description":8,"client":9,"category":10,"sort":9,"user_created":12,"date_created":13,"user_updated":14,"date_updated":15,"featured_image":16,"body_headline":17,"hover_video":18,"hero_image":19,"hero_video":20,"seo":21,"body_summary":30,"blocks":31,"sector":64},"5b87d56b-3ae9-4d18-be1a-d7cd29c168c6","published","Colours of Time","la-venue-de-lavenir","\u003Cp>For this new feature film, \u003Cstrong>Cédric Klapisch\u003C\u002Fstrong> explores two very different time periods: the late 19th century and modern-day Paris. This visual and narrative journey was made possible thanks to the work of \u003Cstrong>Alexis Kavyrchine\u003C\u002Fstrong>, the director of photography, \u003Cstrong>Cédric Fayolle\u003C\u002Fstrong>, the VFX supervisor, and the expert teams at \u003Cstrong>MPC Paris\u003C\u002Fstrong>, marking their sixth collaboration with the director.\u003C\u002Fp>\n\u003Cp>To bring 1895 Paris to life, \u003Ca class=\"\" href=\"https:\u002F\u002Fwww.afcinema.com\u002FAlexis-Kavyrchine-parle-de-sa-facon-d-aborder-les-differentes-epoques-de-La-Venue-de-l-avenir-de-Cedric-Klapisch.html\">Alexis Kavyrchine drew inspiration from autochromes\u003C\u002Fa>, impressionist paintings (Monet, Morisot, Sisley…), and natural light. This soft, painterly visual style guided the entire image production process, from VFX to color grading.\u003C\u002Fp>",null,[11],"VFX","4e3b8a08-497f-418c-9e0e-7a8a7d3bd56e","2026-06-09T13:06:35.537Z","dbe93a69-3db5-41ae-910d-940d02c562d8","2026-06-10T15:06:31.219Z","2f800c1d-6a1e-43cd-bb89-776d2c3c07e0","About thirty people from the same family learn that they’re about to inherit a long-abandoned house.","ae6b6e24-06d8-42ae-a289-6f8735e5acc4","1677b477-a637-4a2a-9086-29c57857440d","https:\u002F\u002Fyoutu.be\u002FrPlBhPw2ltY",{"title":22,"meta_description":23,"focus_keyphrase":23,"og_image":24,"sitemap":25,"no_index":28,"no_follow":28,"additional_fields":29},"Color of Time","","2f800c1d-6a1e-43cd-bb89-776d2c3c07e0.jpeg",{"priority":26,"change_frequency":27},"0.5","weekly",false,{},"\u003Cp>Produced by Ce Qui Me Meut, the film was supported by the Film & Series teams at The Mill, formerly MPC Paris, who worked on over 150 VFX shots and handled the full image post-production, from raw footage and editing to color grading and final delivery.\u003C\u002Fp>",[32,39,46,52],{"id":33,"work_id":4,"collection":34,"sort":35,"item":36},"3c36a969-7887-4310-b989-85544635c619","block__media",1,{"id":37,"status":5,"sort":9,"image":38,"video":9},"68a69bc3-3bbe-4370-a0ad-b6c333b2d5e7","a026c8d0-cd23-4991-bfcb-45025142d501",{"id":40,"work_id":4,"collection":41,"sort":42,"item":43},"fc81c961-71fe-4aa8-b8f2-588404fe4109","block__text",2,{"id":44,"status":5,"sort":9,"content":45},"03dad412-3216-4295-b313-d823ec4b5b5d","\u003Cp>Our teams created over 150 digitally altered shots, always aiming to expand the filmed reality while keeping its visual consistency.\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>Matte painting & set extensions:\u003C\u002Fstrong> To recreate old neighborhoods, the teams used 2.5D and 3D matte paintings to rebuild rooftops, cobbled streets, old signs, and period skies. Extensions were added to create depth and enhance immersion.\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Removal of anachronisms:\u003C\u002Fstrong> Modern signs, power lines, road markings, and contemporary buildings were digitally erased using rotoscoping and clean-up techniques.\u003C\u002Fli>\n\u003Cli>\u003Cstrong>3D tracking and integration:\u003C\u002Fstrong> Some scenes required 3D tracking to smoothly insert historical elements like horse-drawn carriages, trams, and lost architecture.\u003C\u002Fli>\n\u003C\u002Ful>",{"id":47,"work_id":4,"collection":41,"sort":48,"item":49},"2d11b606-dc8f-45fe-9b06-0c6f800d692b",3,{"id":50,"status":5,"sort":9,"content":51},"b94a9735-86ca-46ca-bb66-d4fad10b9b07","\u003Cp>Beyond VFX, MPC Paris took care of \u003Cstrong>the full image post-production\u003C\u002Fstrong>:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>Raw footage management:\u003C\u002Fstrong> ingesting, transcoding, backing up, syncing\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Image editing:\u003C\u002Fstrong> working closely with the director\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Color grading:\u003C\u002Fstrong> a central color process, done with Alexis Kavyrchine, to highlight the visual contrast between the two time periods\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Conforming, packaging, and deliverables\u003C\u002Fstrong> for cinema and streaming platforms\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>A film where the magic of time is also the magic of the image.\u003C\u002Fp>",{"id":53,"work_id":4,"collection":54,"sort":55,"item":56},"07d4436f-53ff-4141-9370-e3ac004fcdb6","block__accordion",4,{"id":57,"title":58,"summary_visible_lines":35,"items":59},"4bd42a23-a24d-43fc-b7fe-e8ad5fd2608d","Credits",[60],{"id":61,"sort":35,"title":62,"summary":9,"content":63,"accordion_id":57},"315a4fbd-9dc7-42e3-9ae1-7cc4043d5447","Main Credits","\u003Cdiv class=\"label\">\u003Cstrong>Director\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Cédric Klapisch\u003C\u002Fdiv>\n\u003Cdiv class=\"name\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"name\">\u003Cstrong>Production\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Ce Qui Me Meut\u003C\u002Fdiv>\n\u003Cdiv class=\"name\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"name\">\u003Cstrong>Overall VFX Supervision\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Cédric Fayolle\u003C\u002Fdiv>\n\u003Cdiv class=\"label\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"label\">\u003Cstrong>MPC VFX Supervisor\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Hugues Namur\u003C\u002Fdiv>\n\u003Cp>\u003Cstrong>\u003Ca class=\"link-external black\" href=\"https:\u002F\u002Fwww.imdb.com\u002Ffr\u002Ftitle\u002Ftt31411349\u002F\" target=\"_blank\" rel=\"noopener\">IMDb\u003C\u002Fa>\u003C\u002Fstrong>\u003C\u002Fp>",{"id":42,"title":65,"slug":66},"Film & Series","film-series",{"footer_headline":68,"footer_cta_label":69,"footer_cta_url":70,"social_linkedin":71,"social_x":72,"social_facebook":73,"social_instagram":74,"social_youtube":75,"gtm_id":76,"ga4_id":77,"cookie_yes_id":78,"default_og_image":79},"Your next project starts here. ","Get in touch","\u002Fcontact","https:\u002F\u002Fwww.linkedin.com\u002Fcompany\u002Fthe-mill\u002F","https:\u002F\u002Fx.com\u002Fmill__channel","https:\u002F\u002Fwww.facebook.com\u002FMillChannel","https:\u002F\u002Fwww.instagram.com\u002Fmillchannel\u002F","https:\u002F\u002Fwww.youtube.com\u002F@millchannel","GTM-TSWX446J","G-7PY5RT62KG","cce038de85a93758209b9673538157f2","9c5b9101-e481-40b8-8798-2d2ee6c431b6",{"header":81,"footer":101,"footerLegal":106,"footerExternal":116},[82,90,93,96,99],{"title":83,"url":23,"newTab":28,"children":84},"Services",[85,88],{"title":86,"url":87,"newTab":28},"Brand & Content","\u002Fservices\u002Fbrand-content",{"title":65,"url":89,"newTab":28},"\u002Fservices\u002Ffilm-series",{"title":91,"url":92,"newTab":28},"Work","\u002Fwork",{"title":94,"url":95,"newTab":28},"News","\u002Fnews",{"title":97,"url":98,"newTab":28},"About","\u002Fabout-us",{"title":100,"url":70,"newTab":28},"Contact",[102,103,104,105],{"title":91,"url":92,"newTab":28},{"title":94,"url":95,"newTab":28},{"title":97,"url":98,"newTab":28},{"title":100,"url":70,"newTab":28},[107,110,113],{"title":108,"url":109,"newTab":28},"Legal","\u002Flegal",{"title":111,"url":112,"newTab":28},"Careers ","mailto:jobs@themill.com",{"title":114,"url":115,"newTab":28},"Tax Rebate","\u002Ftax-incentive",[117,121],{"title":118,"url":119,"newTab":120},"About TransPerfect","https:\u002F\u002Ftransperfect.com",true,{"title":122,"url":123,"newTab":120},"Alice Vision","https:\u002F\u002Falicevision.org\u002F"]